戲劇即生活 walk the theatre wrld (第3/10頁)
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elftobeginwithsinceforawhileassioncanbeagoodsubstituteforlackoftalent。
Whathasbecomeofus—thirtydreamsandseventeenyearslater?Alongstory，aboveall。No，thirtystories。Someofusarewell-known，almostfamous。AndreaandArilforinstance。OnehaslayedinaTVoeraforyears，andtheotheristheonlywomanintheactorsteaminSaturdaysquizshow。Someofushavevanished，likeMafiaandMathias。Mafia，whocoulddanceandlaytheianosobeautifully，simlydidntreturnafterthevacationinthefirstyear。Mathias，nowrunningasoundstudioinVienna，finallyrealizedthat“myambitionswereerhasalittleexcessive。”Bysayingthis，hereservedhimselffromalife—liewithwhichtoomanybadactorsconsolethemselves:thattheyareunluckytobeunrecognized，andthatiftherightdirectorturnedu，theirimmensetalentwouldbeareciated。
Perhasthoseareabsolutelyeverydaystoriesascouldbetoldatanytimeofanyclassatanydramaschool。However，twostoriesofourclassstandout，onesadandonewonderful。
Thesadstory。EberhardSchmidthadtoolittletimetorealizehisdreams。Hewantedtobecomeagreatdirectorandhehad
