戲劇即生活 walk the theatre wrld (第2/10頁)
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ellowstudentsbytheirhands。Whatallthathadtodowithgreatartonlybecameaarenttousveryslowly。Wewantedtobeonstage。Whenwewereatlong，longlastallowedtowalktheboards，wequicklyunderstoodthatadarkstagecouldbetheloneliestlaceintheworld。
Itisnotatalleasyforoutsiderstocomrehendwhatissuosedlysodifficultaboutlearningafewsentencesbyheartandthenresentingthem。Ofcoursethereisstagefright，butwhatelse?Themostcomlexthingofallissimlywalkingacrossthestage。Oneneverquitegetsthatright。Aersoncrossingastageisnotsimlysomeonewalking，butaersonactingaart。Butwhatart?Thatistheroblem。
Theinitialeuhoriasoongavewaytosobriety。Anyonehonestwithhim—orherselfcouldalreadyascertainwhetherhemerelybelievedintheimmensityofhistalentorwhetherhereallyossessedit。Itwasnotdifficulttoseeinoneselfandinotherswhowasburningwithassionforactingandwhoonlyhadaflickeringtalent—becauseforthreeyearsonewasreoccuiedwithnothingbutoneself，withonesfeelings，voice，body，andtheinnerbarrierswhichsomecouldsurmountandothersnot。Butitwaseasytodeceiveones
